here we go again…. 4 21 15…
what
DOES….
musical interest in a piece
COME from (a piece that happens to be for non-melodic percussion of course.)
ON TALEOLOGY, “EVENTS”, MINIMALISM, MUSICAL INTEREST…
except I’ve nothing to say, as the endless thoughts I’ve had are all unbounded and disconnected and would make no sense would take two many rambling words to even try to say as of yet….
and it’s all TASTE in the end, anyhow…
this somehow reminds me of the skepticism of David Hume… yes?

(I’ll have much more to say about this, but not yet…)